Published On: Thu, Feb 8th, 2018

The Confusing Horned Helmets Depicted in the Oseberg Viking Age Tapestries

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By ThorNews

If you claim that Vikings did not use horned helmets, you are right. If you claim that Vikings used horned helmets, you may also be right. However, horned helmets were probably only used on very special occasions if we are to interpret images depicted on textiles found in the Oseberg Viking ship grave.

Historians and archaeologists do agree that Vikings did not use horned helmets, and that this is a myth created, among others, by Richard Wagner’s opera “Der Ring des Nibelungen” (The Ring of Nibelung) that premiered in 1876.

Costume designer Carl Emil Doepler got his inspiration from Germanic artworks, and in the opera he equipped the evil characters with horned helmets while the heroes got helmets decorated with wings made of feathers.

This is a monochrome photograph taken of Hoffman's 14 set designs (unknown number) for Wagner's Der Ring des Nibelungen opera in 1876.

This is a monochrome photograph taken of Hoffman’s 14 set designs (unknown number) for Wagner’s Der Ring des Nibelungen opera in 1876. ( Public Domain)

Thanks to Wagner’s opera, horned helmets still are a powerful symbol representing Vikings and the Viking Age.

From Richard Wagner’s opera “Der Ring des Nibelungen”, 1876

From Richard Wagner’s opera “Der Ring des Nibelungen”, 1876 (Source: ThorNews)

Religious Motifs

In the autumn of 834 AD, two elderly women were buried inside a Viking ship in Vestfold, Southeast Norway. They were placed next to each other in a made bed inside a burial chamber placed right at the mast.

Ever since the excavation in 1904-1905, there have been put forward many theories about who these women were.

One dominating theory is that the oldest of the women was a powerful völva sorceress , while others believe she was a priestess of the Norse goddess Freyja – the goddess associated with love and fertility, but also with seiðr sorcery and death.

Inside the Oseberg ship grave there were, in addition to the beautifully decorated Viking ship itself, hundreds of objects for both everyday use and solemn occasions, including one richly decorated wooden cart probably used in religious ceremonies.

Wooden cart found at the Oseberg burial mound, Norway.

Wooden cart found at the Oseberg burial mound, Norway. (CC BY-SA 4.0 )

The grave also contained the largest collection of textiles and textile tools ever discovered in a single Viking Age grave, and all the beautiful and colorful fabrics are uniquely well-preserved due to the surprisingly good storage conditions inside the burial mound.

The hoard includes the famous tapestry showing a religious procession, the so-called Oseberg Tapestry, many other textiles such as exotic silk thread embroideries imported from Central Asia were found. There were also discovered several narrow tapestries thought to have lined the grave chamber.

They portray a variety of people, some obviously wearing a costume, along with wagons, animals and buildings, most likely representing different religious scenes.

The Oseberg Tapestry

The Oseberg Tapestry consists of two parts: a left and a right side, and the scene on the left side most likely represents a religious procession of three horse-drawn wagons followed by people on foot.

The Oseberg Tapestry – Left Side.  (Watercolor Reconstruction: Mary Storm / Photo: Museum of Cultural History, Oslo)

The Oseberg Tapestry – Left Side.  (Watercolor Reconstruction: Mary Storm / Photo: Museum of Cultural History, Oslo)

The front panel of the ceremonial cart found in the Viking ship grave is decorated with intertwined animals, including cats, implying that the older woman may have been a priestess of Freyja.

It is tempting to draw the conclusion that one of the two persons in the wagon depicted in the Oseberg Tapestry, could represent the priestess herself.

It seems like the figure with the horned helmet is leading the procession. He is somewhat larger than the others, something that may indicate his high status. The figure is possibly portraying the god Odin.

The Oseberg Tapestry – Right Side. (Watercolor Reconstruction: Mary Storm / Photo: Museum of Cultural History, Oslo)

The Oseberg Tapestry – Right Side. (Watercolor Reconstruction: Mary Storm / Photo: Museum of Cultural History, Oslo)

The right side of the Oseberg Tapestry can also be interpreted in many different ways, but it is clear that the horse riders and the people walking with spears all are a part of the procession, and the building depicted to the left could possibly be a Norse temple.

The horned figure also appears in another textile fragment discovered inside the burial chamber. He is holding a pair of crossed spears in one hand facing a man wearing something resembling a bear skin.

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